Vintage Buildings

Rochelle Anvik Photographer: Ron Brewer Imiages

Vintage buildings can make the best backgrounds and environments within which to do a photo shoot. But, photographers find it difficult to obtain access to old buildings. Usually, the owner doesn’t want to grant access for fear of liability issues. It’s understandable in our litigious society. As a result most of my pictures that have a beautiful, vintage building included are composite images. I photograph the subject on a gray seamless paper background in my studio and then composite that image into another image that I licensed from a stock image company. The background image is called a “backplate”. Some photographers shoot their own backplates but I don’t. This image of Rochelle was done as a composite.

Rochelle Anvik of Ballet Arizona
Photographer: Ron Brewer Images

Rochelle Anvik
Photographer: Ron Brewer Imiages

 

The World of. Brown

I don’t know why, but I’ve always liked earth tones, especially in the brown tonal range. So when Rochelle showed me the outfit that she brought for your photo shoot, I took the shots against a brown background to get everything in to the world of brown. This was my favorite image from that set.

Dancer: Rochelle of Ballet Arizona
Photographer: Ron Brewer Images

Strength and Grace

Connor Cohenby Ron Brewer Images

Connor Cohen by Ron Brewer Images

 

For many years, I had no clue as to what it took to be a dancer. No clue at all. Now that I know a number of dancers, I can see what lies beneath the surface and hidden from the general public. There are unbelievable hours spent in training and dealing with always being injured. And yet, even while injured, they go on stage in full character so that the audience never has a clue to the reality. It looks so graceful and simple. Doing something extremely difficult and making it look so graceful and simple is a sign of a professional ability in action. Dancers like this are a cross between athletes and artists. They have the strength and endurance of an athlete and perform in beautiful grace. In fact, the performance is so graceful that you can fail to see the strength.

Randy Crespo by Ron Brewer Images

Randy Crespo by Ron Brewer Images

 

Jay Louis Markovby Ron Brewer Images

Jay Louis Markov by Ron Brewer Images

 

Dancer Credit:    Connor Scott Cohen of Ballet Arizona
Randy Crespo of Ballet Arizona
Jay Markov of Ballet Arizona

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National Dance Week 2016 Free Offer

Chelsea Neissby Ron Brewer Images

Chelsea Neiss by Ron Brewer Images

 

National Dance Week 2016 is April 22 – May 1.

In recognition of National Dance Week 2016, I wish to “give back” to the dance community. I have the highest regard for dancers and the constant discipline they endure for the sake of their art. I can’t express how much I enjoy photographing dancers, so I want to make a gift to a dancer (or dance couple).

In recognition of National Dance Week 2016, I am providing a free studio photo shoot session and 4 retouched, high resolution digital images from the shoot to an Arizona dancer (or a couple dance team). One of the images will be a head shot. The recipient may be an advanced dance student, pre-professional, professional dancer, a teacher of dance, or a studio owner. The recipient must be currently involved in dance. To apply, just send me a personal message on Facebook providing your name, where it is that you dance, and the kinds of dance that you are involved in, as well as any other information that you deem helpful. The application must be received by May 1, the end of National Dance Week. The photo shoot may be scheduled for a later date.

Congratulations to all of those involved in dance. Enjoy your week!

 

Dancer Credit:  Chelsea Neiss

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Ballet Bodyscapes

DSC_7400 2016 02 07 Naomi Tanioka crop 5 BW low res wm

Dancer: Naomi Tanioka of Ballet Arizona Make Up: Lorraine Garcia Hair: Lisa Marie Mode Photographer: Ron Brwer Images

I hadn’t really thought much about doing bodyscapes using ballet dancers, but the concept has grown with me over the last year or so. Now I love the idea. I had done, as had every other photographer, crops of ballet dancer legs before, but I’m starting to explore images of other body areas. Honestly, the legs, feet and hands will always be the big focus point in ballet. It taking some re-training of my mind’s eye to see the ballerina body differently.

Randy Crespo by Ron Brewer Images

Randy Crespo by Ron Brewer Images

Arianni Martin and Randy Crespoby Ron Brewer Images

Arianni Martin and Randy Crespo by Ron Brewer Images

Arianni Martin and Randy Crespoby Ron Brewer Images

Arianni Martin and Randy Crespo by Ron Brewer Images

Arianni Martinby Ron Brewer Images

Arianni Martin by Ron Brewer Images

Hannah Potter by Ron Brewer Images

Hannah Potter by Ron Brewer Images

Randy Crespo by Ron Brewer Images

Randy Crespo by Ron Brewer Images

 

Dancer Credit:    Randy Crespo of Ballet Arizona
Arianni Martin of Ballet Arizona
Hannah Potter of Grand Rapids Ballet
Naomi Tanioka o Ballet Arizona

Support:              For Naomi: Make up by Lorraine Garcia Rivera and Hair by Lisa Marie

 

Beyond Their Years

 

Before I began photographing ballet, I had no idea how rigorous the training schedule is for pre-professional dancers. Honestly, no idea.

I quickly learned that ballet is all about technical perfection. Of course, the end goal is about a beautiful and moving dance performance. But they must be performed correctly. Perfectly, I should say.  I can see that the technical aspects are not as difficult as rocket science, as one can often quickly gain an understanding of the what is to be accomplished. But performing it perfectly, now that’s another story. It takes unbelievable amounts of practice and instruction to achieve the required perfection. There is a parallel to this in many areas of life. Take photography, for instance. It’s not rocket science, either, but it takes years of corrective practice to do it well. Fortunately for me, photography is not nearly as physically demanding as ballet!

I do studio shoots for many young dance students. Their teachers or an instructor are usually present while I am photographing them, assisting the dancer in the technical aspects of dance for the photographs. We always do multiple re-takes of each pose as they seek perfection for that fraction of a second that the shutter clicks. Often, it’s multiple re-takes. Many multiples. These dancers are highly focused and serious, seemingly beyond what one would think possible for their young years. I always stand in awe of them. I understand what I am witnessing.

These are images of a few of the ballet students that I have recently photographed.

 

Dancer Credit:  Jordan Clark, Kylee Haddock, Elizabeth Wallace , Lydia Brown, Meghan

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Negative Space

Arianni Martin and Randy Crespo by Ron Brewer Images

I love negative space!

Negative space is all of that empty area around the subject in a photograph. What’s interesting about negative space, is that it actually draws attention away from itself and to the subject. Even though it’s the largest part of the image, it becomes the smallest to the viewer. What’s big is important, but only because it makes the smaller subject even more important. It’s a paradox.

 

Randy Crespo by Ron Brewer Images

Katie Marie Beechler by Ron Brewer Images

Dancer: Camryn Cortez Artistic Director: Lisa Knighton Photographer: Ron Brewer Images

Dancer: Camryn Cortez Artistic Director: Lisa Knighton Photographer: Ron Brewer Images

Dancer: Camryn Cortez Artistic Director: Lisa Knighton Photographer: Ron Brewer Images

Naomi Tanioka by Ron Brewer Images

DSC_3115 2014 08 13 Arianni and Randy crop 4 low res wm

 

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Dancer Credit:   Arianni Martin of Ballet Arizona, Randy Crespo of Ballet Arizona, Naomi Tanioka of Ballet Arizona, Katie Marie Beechler, Camryn Cortez,

 

 

 

 

On Stage

Arizona School of Classical Ballett  Photographer:  Ron Brewer Images

Davit Hovhannisyan of the Milwaukee Ballet

Arizona School of Classical Ballet  Photographer:  Ron Brewer Images

Hannah Potter of Grand Rapids Ballet

It’s so much fun to shoot dancers on stage, but it can also be very challenging to capture good images.

Some stage lighting is just not very suitable for still photography – it’s just too dark. It may be perfect for the mood intending for the performance when viewed by a human eye, but a camera can’t see as well as a human eye. A human eye can see over 20 “stops” of light (a stop of light is a measurement of light). Most cameras only see about 4-7 stops of light. Cameras just don’t have the dynamic range of a human eye.

Plus, you need a fast shutter speed to stop the movement of the dancer and not get a blurry image, which further reduces the amount of light that the camera can see. My compliments to the professional lighting director for the spring performance of the Arizona School of Classical Ballet – a job well done! He gave me LOTS of beautiful light for most of the day!

These images are of the two guest artists performing with the school, Davit Hovhannisyan of the Milwaukee Ballet and Hannah Potter of the Grand Rapids Ballet. Elegant, professional, sophisticated, friendly and skilled. Amazing people to work with.

Arizona School of Classical Ballet  Photographer:  Ron Brewer Images

Hannah Potter of Grand Rapids Ballet

Davit Hovhannisyan Milwaukee Ballet

Davit Hovhannisyan
Milwaukee Ballet

Davit Hovhannisyan of the Milwaukee Ballet

Davit Hovhannisyan of the Milwaukee Ballet

Hannah Potter Grand Rapids Ballet

Hannah Potter
Grand Rapids Ballet

Davit Hovhannisyan of the Milwaukee Ballet and Hannah Potter of Grand Rapids Ballet

Davit Hovhannisyan of the Milwaukee Ballet and Hannah Potter of Grand Rapids Ballet

The Gown Series

Naomi Tanioka by Ron Brewer Images

I love how a great dress can add to the beauty of a ballet image.

Naomi is wearing an elegant 50 year old Olga nightgown that I purchased for ballerina shoots. I also have another similar gown, except that it is a burgundy color. I purchased these two gowns to photograph ballerinas in them, and expect to purchase other gowns that will add variation. They have a wide sweep of at least 120 inches, which provides for full leg movement and flow with the dancer, as you can see in the image above. And they are the perfect material to perfectly reflect the studio lights. They add to the beauty of dance.

These images introduce you to my Gown Series of ballerina images. I plan to photograph most of my ballerinas in them, so you are going to see a lot from this series over a long time period. Enjoy!

Eric White and Naomi Tanioka by Ron Brewer Images

 

Naomi Tanioka by Ron Brewer Images

 

Naomi Tanioka by Ron Brewer Images

Dancer Credit:  Naomi Tanoika and Eric White
Photographer: Ron Brewer Images

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National Dance Week 2015 FREE OFFER

Naomi Tanioka by Ron Brewer Images

 

NATIONAL DANCE WEEK OFFER
A free studio photo shoot and digital images

In recognition of National Dance Week 2015, I wish to “give back” to the dance community. I have the highest regard for dancers and the constant discipline they endure for the sake of their art. I can’t express how much I enjoy photographing dancers, so I want to make a gift to a dancer (or dance couple).

In recognition of National Dance Week 2015, I am providing a free studio photo shoot session and 4 retouched, high resolution digital images from the shoot to an dancer (or a couple dance team). One of the images will be a head shot. The recipient may be an advanced dance student, pre-professional, professional dancer, a teacher of dance, or a studio owner. The recipient must be currently involved in dance. To apply, just send me a personal message on Facebook providing your name, where it is that you dance, and the kinds of dance that you are involved in, as well as any other information that you deem helpful. The application must be received by May 4, the end of National Dance Week. The photo shoot may be scheduled for a later date.

Congratulations to all of those involved in dance. Enjoy your week!

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Dancer Credit:  Naomi Tanioka, The School of Ballet Arizona